Custom Editorial Services
Maybe you’ve written a novel about time-traveling, identical twin vampires and their romantic foibles, or the epic saga of a family of circus performers. Maybe you’ve written a book of satirical short stories that skewer the hypocrisies and illuminate the hidden wonders of our modern age. Maybe you’ve written a memoir about family, about tragedy and redemption, or about your stint in the French Foreign Legion. Maybe you're an expert in lucid dreaming or starting a business on a budget or how to get your cat or dog paid work starring in TV commercials. Maybe you’ve written a dissertation you’d like to turn into a full-length book with appeal beyond academia…
Whatever your story is, it can only come from one person—you. And that's why, first and foremost, my goal is to help you tell your story in the most effective, reader-friendly and original way possible.
What Do You Want?
What’s the goal of your book? Maybe it’s to entertain, to sweep readers into a magical world, to make them laugh, to keep them guessing about who the killer is until the very end.
Maybe it's to startle, to shake up, to offer an original commentary on the modern world.
Maybe it’s to inform, to teach, to offer insight from your own life, your own experiences.
All of these goals are valuable and meaningful, but none of them can be accomplished unless you realize your overarching mission: to keep readers immersed in your world. To keep them engaged. You want your book to be a book they can’t put down––and a book they can't wait to get back to. There are many, many elements that go into creating an unforgettable story. A compelling plot…a unique point of view or narrative voice…a vivid and musical prose style…a feeling of urgency...a sense of conflict…and characters who, just like real people, are flawed and hopeful. Mastering these elements takes a lot of time. It can be overwhelming. Like an intricate Rube Goldberg machine, if one component breaks down it can affect the whole contraption. If you work with me, we’ll address them all: plot, story (note: they're not the same thing!), structure, pacing, character, voice, language.
Further, we can develop an action plan for selling or marketing your book.
Why Hire an Editor?
NO writer can see all the flaws in their own work. We all need to gain distance, and we all need second (and maybe third and fourth) opinions. Many novice writers’ impulse is to seek the feedback of their friends and family. There’s nothing wrong with getting feedback wherever you can, but casual readers are not a substitute for a professional editor. For one thing, casual readers may know something's off, but be at a loss to explain exactly what it is or--most importantly--what you can do to fix it.
What you need is a high level of analysis from someone who understands each component of a story and how each affects the other. My critiques and comments are rigorous and honest. But I always come from a place of empathy and kindness. I know how hard it is to write, and how much self-doubt arises when you try to put yourself out there.
When I work with you, I’m drawing from an array of skills developed over the last twenty years—as a writer myself, a professor of writing, a long-time editor, and a voracious reader.
I approach each project on its own terms, utilizing finely honed analytic skills as well as a heavy helping of intuition. My job is not to be a yes-man (or in this case, woman). I'm not going to lavish false praise on your work--but I WILL tell you what IS working. And I'll be frank and ruthlessly honest about what's not.
To be perfectly honest, despite what loads of websites will tell you, there is NO guarantee of anything when it come to publishing. But I can assure you that your work will be given careful attention and will be approached on its own terms. And that if you keep at it, the rewards will come.
“Holly not only manages to distill what I’m trying to say in the early stages, but also points me, with uncanny foresight, in the right direction every time. She is encouraging yet candid. It’s rare to meet someone who so easily grasps the big picture while combing out the finest details and catching all the clichés...I wouldn’t be the writer I am today without her guidance.”
— Pik-Shuen Fung, author of Ghost Forest (Penguin Random House)
Testimonials
“Holly read the manuscript of my memoir and she was a delight to work with: Professional in meeting deadlines, insightful in her observations, and thoughtful about suggested changes. I would recommend her work without reservations.”
— Edie Jarolim, author of Getting Naked for Money: An Accidental Travel Writer Reveals All (forthcoming).
“Holly has a keen eye for both the micro and macro, and this is critical for any good editor to have. I’ve referred any number of writers to her of all stripes, traditional, experimental, fiction, non-fiction, and will continue to do so. She is professional and trustworthy and a talented writer herself, so she knows what it’s like in this business from all angles. ”
— Robert Lopez, author of four books, including Good People, Part of the World and Kamby Bolongo Mean River
“Holly brought a level of precision to my writing and asked me to consider some very powerful writing principles. I have no doubt that her critique and attention to detail made my writing much better. Her experience stood out to me above hundreds of other copy editors who I could have collaborated with. ”
— Nicholas Sailer, filmmaker and author of "A Story Each Day"
“Holly provides crucial encouragement, so necessary for the writer’s struggling confidence, with a delicacy and appreciation for your goals that helps you see them with new eyes. Her experience and sophistication as a reader make her an excellent source of input. Her suggestions are precise and intelligent, helping you clear away your mistakes and resolve other issues like tone, point of view, chronology, etc., so your manuscript can shine. ”
— Kristy Eldredge, writer and humorist (McSweeney’s, The New Yorker)